Friday, January 31, 2020
Two Models of the Criminal Process Essay Example for Free
Two Models of the Criminal Process Essay Abstract            The Criminal Control Model emphasizes the importance of protecting people, their property, and their rights for the good of the victim and the whole society. The Due Process Model is closer to our democratic ideals, and emphasizes the importance of individual rights at all stages of the Criminal Procedure. The models represent the two different (and contradicting) views on criminal justice and Criminal Procedure Policy. Two Models of the Criminal Process            Introduction            Contemporary theory of criminal justice uses the two different criminal justice models – the Crime Control Model and the Due Process Model. Both models were designed by Packer in 1964 and â€Å"embrace constitutional values†(Zalman, 2002). However, these models represent the two different sets of criminal justice values and can never be used simultaneously. Although both models are equally applicable within the democratic political framework, they cause different impact on shaping the Criminal Procedure Policy.            The Criminal Control Model emphasizes the importance of protecting people, their property, and their rights for the good of the victim and the whole society (Samaha, 2005). The Crime Control Model implies that people are unable to fulfill their social functions, if they do not feel safe. Crime control, satisfaction of society’s needs, and discretion create the practical basis of this model. Very often, the Criminal Control Model is compared to the assembly line conveyor belt that moves the endless array of cases and suspects through the criminal justice system (Samaha, 2005). From the viewpoint of the Criminal Control Model, justice should be speedy, correct, and accurate. Under the influence of the Criminal Control Model, the whole Criminal Procedure Policy turns into the power which never makes mistakes and is eager to sacrifice several innocent suspects for the sake of solving the crime.            The Crime Control Model is frequently blamed for assuming that the alleged criminal is guilty before the court takes objective and correct decision. In its turn, the Due Process Model is closer to our democratic ideals, and emphasizes the importance of individual rights at all stages of the Criminal Procedure. Fair procedures form the essence of the Due Process Model: â€Å"fair procedures means decision making according to formal rules growing out of the Bill of Rights and the due process clauses of the U.S. Constitution and state constitutions†(Samaha, 2005). In the Criminal Procedure Policy, the Due Process Model distrusts the power of government and implies that the government’s decisions should be controlled. In many instances, the Due Process is similar to the â€Å"obstacle course†; it is distanced from the idea of unmistakable justice and is based on the â€Å"fact finding†principles (Zalman, 2002). In distinction from the Crime Control Model, the Due Process Model relies on the equal treatment of all defendants and contradicts to the Crime Control Model’s view in that the rights of individuals can sometimes be hindered for the sake of the whole society and justice.            Conclusion            The Crime Control Model is close to conservative thinking, while the Due Process Model goes in line with liberal democratic ideals. The models represent the two different (and contradicting) views on criminal justice and Criminal Procedure Policy. It is impossible to determine which of the two procedures prevails, but evidently the Due Process Model has proved its superiority in the need to promote fairness of justice, equality of defendants’ rights, and the importance of legal procedures in the process of proving one’s guilt. References Samaha, J. (2005). Criminal Justice. Thomson Wadsworth. Zalman, M. (2002). Criminal procedure: Constitution and Society. 3rd edition. Pearson Education: Prentice Hall.
Thursday, January 23, 2020
Euthanasia Essay -- essays research papers fc
Do We Have The Right To Die? Goldfarb, Jennifer ENC 1102 Mrs. Cartright      In October of 1939, Louis Repouille chloroformed his thirteen-year-old son described as â€Å"an incurable imbecile.†The boy was deformed and mute since birth and therefor bedridden. Due to a brain tumor, he became blind. Two months afterward, the father was found guilty of manslaughter in the second degree. No man or woman can honestly say that this boy should have stayed alive to suffer inevitably or that his father should have sanely watched him. Euthanasia is the right for any human being who is terminally ill to find the means to end his or her life. Mentally stable adults, who are deathly ill, have a right to die.      Euthanasia has been practiced throughout time and in many cultures. When an elderly Aymara Indian of Bolivia becomes terminally ill, relatives and friends are summoned to the home of the death vigil. The family will withhold food and drink until the dying person slips into unconsciousness and dies. In Eskimo cultures, an old or sick Eskimo tells his family when he is ready to die and the family will immediately comply by abandoning the aged person to the ravages of nature or by killing him themselves. Aged Ethiopians allowed themselves to be tied to wild bulls. The natives of Amboyna, ate their failing relatives out of charity. Congolese jumped on the tired and old until their life was gone. In Athens, magistrates kept a supply of poison for anyone who wished to die. Aiding death was often done out of respect for an ill person. (Humphrey, 2)      In Christianity, on the other hand, suicide was denounced. Anyone who took his or her own life was denied a Christian burial. With a reaffirmation of Greek and Roman values, the concept of an easy death gradually came to be regarded once again. What distinguished the sixteenth century attitude toward suicide from that of the Middle Ages was a reawakened interest in individualism. (Humphrey, 8)      During the eighteenth century, Paradys, a physician, wrote â€Å"Oratio de Euthanasia.†He recommended an â€Å"easy death†for a patient who is incurable and suffering. In 1777, a year after his death, David Hume’s essay, â€Å"Of Suicide†was published. He wrote, â€Å"when life has become a burden both courage and prudence should engage us... ...g the Right to Die, â€Å" Time, April 15, 1996, p.      82 (Sirs Researcher, 1996) McMahon, Patrick, â€Å"Oregon Reports 8 Suicides Under New Law,†USA      Today, August 19, 1997, p. 6A Moore, Francis D., â€Å"Prolonging Life,†Permitting Life To End,†Harvard      Magazine, July/August 1995, pp. 46-51 (Sirs Researcher, 1996) Nichols, Mark, â€Å"Dying By Choice,†Macleans, May 20, 1996, pp. 47-48 â€Å"Right To Die,†Ethics, Pasadena: Salem Press, Inc., 1995, Volume 3, p.      754 Rosellini, Lynn, â€Å"The Final Struggle of Jamie Butcher,†US News & World      Report, November 7, 1994, p. 67 Suhr, Jim, â€Å"Dr. Jack Kevorkian Charged With Murder,†Associated Press, November 24,      1998 Stout, David, â€Å"20 Years: People,†The New York Times, November 17,      1996, p. 13NJ (The New York Times Ondisc) Tahmincioglu, Eve, he Cost of Dying,†News Journal, July 10, 1994, p. A1 Weinstein, Henry, â€Å"Assisted Deaths Ruled Legal,†Los Angeles Times,      March 7, 1996, p. 1A (Sirs Researcher, 1996)
Tuesday, January 14, 2020
Qvc Case Analysis Essay
Case QVC Author: NA HG495 – Case Analysis Instructor: NA Abstract This case analysis will be focused on the company QVC (Quality, Value, and Convenience). We will perform an analysis review, which, will provide a comprehensive insight into the company’s historical and current business structures, strategies and efficiencies in their operations. It will include a detailed SWOT Analysis (Strengths, Weaknesses, Opportunities and Threats) (Humphrey) and the primary activities of the Value Chain Analysis (Porter), to provide greater insight into the firms’ competitive advantage. These key concepts will be used to analyze QVC’s business model, define potential challenges and initiate a plan of execution. We will then recommend solutions such as advocating products with higher profit margins, finding evolving technologies and untapped markets and streamlining logistics. These strategies would expand the customer base and create higher ROI (Return of Investment), positioning the company towards timely growth. Introduction: QVC is a multimedia retailer, specializing in televised home shopping, broadcasting in five countries (US, UK, Germany, Japan and, Italy), 24 hours a day, seven days a week, to over 90 million households in the United States and 160 million homes worldwide. They offer a wide range of products with over 1500 major brands and 50,000 products, including beauty, fashion and accessories, jewelry, craft and leisure, home electronics, garden, and do-it-yourself (DIY), and clearance goods. The company has store operations in the US, which includes Delaware and Pennsylvania. QVC also has a lucrative website called iQVC (www. qvc. com) that generates over 1 billion of sales on its Internet operations. Since it was launched in 1986; QVC has rapidly grown to become the largest television shopping network. By 2006, its reach had extended to over 95 percent of all U. S. cable homes, as well as, over 25 million satellite homes. It shipped over 140 million packages during 2006 to customers around the world, resulting in almost $7. 1 billion in sales and over 1 billion operating profit. Sales were made to over 10 million customers, who watched its shows across the US, UK, Germany, Japan and Italy. Problem: Doug Rose, QVC’s vice president of merchandising brand development, claims that the interactivity in all aspects of the firm’s business and operations, including its television shopping channel, will need to become more pronounced. Making it easier for customers to act on what they see. QVC believes that it still has a lot of room to grow, since only about 2% to 3% of its television viewers currently purchase at any given time. Bringing that percentage higher is the main problem that affects the major revenue stream and would require an internal/external analysis (balance scorecard) to bring in new viewers/customers to purchase their products. There are other challenges that can attribute to generating more revenue, such as, selling products with higher margins and offering shopping channels to customers outside North America. They could also add more interactive features that would allow more access.
Monday, January 6, 2020
Wuthering Heights by Silvia Plath. Deconstruction of the...
 «Wuthering Heights » is a poem written by an American poet Sylvia Plath and is based on a novel of the same name by Emily Bronte. In order to convey her internal feelings of despair and disappointment, Sylvia uses a certain tone, structure, and a number of stylistic devises. Below is a descriptive analysis of how she manages to do so, and an interpretation of a poem’s meaning stanza by stanza. From the beginning of the first line, Sylvia Plath sets a depressive and negative tone to her poem. â€Å"The horizons ring me like faggots†- is the first line of the poem, and yet it already suggests how desolate the place from where she looks at them is. With the use of personification â€Å"ring me†she creates an aural image of ringing, which enhances†¦show more content†¦With the following second stanza the tone of the poem becomes more depressing. By saying that â€Å"there is no life higher than the grasstops or the hearts of sheep†, she creates boundaries to the vastness of life, limiting and comparing its essence to that of a plant’s and an animal’s, leaving the humans out of the poem. The depressive mood degrades the tone and atmosphere to an extent of filling it with death and fatality. If Sylvia pays â€Å"the roots of the heather too close attention†, they will â€Å"whiten her bones among them†. The combination of the words â€Å"bones†and â€Å"white†in one sentence might suggest that the roots will bring her death; since the skin of a corpse turns white due to the lack of blood, and bones are the leftovers of a dead hence both are associated with mortality. As opposed to the first stanza, the second stanza takes her to a completely different place. Grasstops, sheep, the roots of heather- all surround her, whereas in the first stanza she is completely alone in a huge desolate space. The change in her surroundings suggests her movement across the moorland, but at the same time it points out the maintenance of her demoralized emotional state and the lack of a positive change about it. The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that â€Å"Water limpid as the solitudes that fleeShow MoreRelatedWuthering Heights by Silvia Plath. Deconstruction of the Poem.1577 Words  | 7 Pages «Wuthering Heights » is a poem written by an American poet Sylvia Plath and is based on a novel of the same name by Emily Bronte. In order to convey her internal feelings of despair and disappointment, Sylvia uses a certain tone, structure, and a number of stylistic devises. Below is a descriptive analysis of how she manages to do so, and an interpretation of a poem’s meaning stanza by stanza. From the beginning of the first line, Sylvia Plath sets a depressive and negative tone to her poem. â€Å"The Wuthering Heights by Silvia Plath. Deconstruction of the...  «Wuthering Heights » is a poem written by an American poet Sylvia Plath and is based on a novel of the same name by Emily Bronte. In order to convey her internal feelings of despair and disappointment, Sylvia uses a certain tone, structure, and a number of stylistic devises. Below is a descriptive analysis of how she manages to do so, and an interpretation of a poem’s meaning stanza by stanza. From the beginning of the first line, Sylvia Plath sets a depressive and negative tone to her poem. â€Å"The horizons ring me like faggots†- is the first line of the poem, and yet it already suggests how desolate the place from where she looks at them is. With the use of personification â€Å"ring me†she creates an aural image of ringing, which enhances†¦show more content†¦In the fifth, the final stanza of the poem the tone remains depressing and yet the ending suggests the possible appearance of hope. The paragraph begins with the reinforced idea of Sylvi a being the only â€Å"upright†living thing- â€Å"The sky leans on me, me, the one upright among all horizontals†. Besides personifying the sky, she is also using the repetition â€Å"me, me†to stress the importance of being upright, and at the same time the solitude it brings her when everything else is horizontal. She then personifies the grass as it is â€Å"beating its head distractedly†, but it is also a contradiction since grass ought to be strong in order to survive in such cruel conditions. The fact that a grass beats its head may also reflect Sylvia’s unstable state of mind, which adds the feelings of compassion and grief to the atmosphere of the tone. Unlike other personifications that Sylvia Plath uses in this poem, the personification of a grass suggests her sympathy and familiarity towards it. She calls it â€Å"too delicate for a life in such company†, assuming that â€Å"darkness terrifies it†. This involvement with the description of what grass has to go through may imply that Sylvia describes her own life whilst comparing its hardship to that of a grass. The last two sentences are significant in a sense that Sylvia gives the reader a chance toShow MoreRelatedWuthering Heights by Silvia Plath. Deconstruction of the Poem.1561 Words  | 7 Pages «Wuthering Heights » is a poem written by an American poet Sylvia Plath and is based on a novel of the same name by Emily Bronte. In order to convey her internal feelings of despair and disappointment, Sylvia uses a certain tone, structure, and a number of stylistic devises. Below is a descriptive analysis of how she manages to do so, and an interpretation of a poem’s meaning stanza by stanza. From the beginning of the first line, Sylvia Plath sets a depressive and negative tone to her poem.
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